Grand thanks to John Cooper, Geoffrey Gilmore, Shari Frilot, Trevor Groth, and the rest of the crew at Sundance for imparting your wisdom for more than five years. While I may have not used all (or any) of what you shared, your contribution to this book was invaluable. Thank you, Tom Quinn, for the brilliant foreword! Thank you to all the filmmakers (from directors to post- production colleagues), to the film executives, programmers, and actors who responded to requests for interviews, quotes, and lastminute addendums. Huge thanks to Steven Tagle for copious research and late-night color corrections. Number of hours of interviews-I’d still be listening to those recordings if it wasn’t for you. Thank you, Meaghan Nanson, for transcribing a ridiculous Thanks to all the staff at Hyperion Books who have made this process a great one, especially their amazing editor in chief, Mr. Brendan Duffy, and to his predecessor, Zareen Jaffrey, who from the start supported this book wholeheartedly. Kudos to my uber talented and very patient editor, Mr.
Thank you to Romaine Clifton, my Platonic match made in heaven, who for two years listened, advised, and was a loving witness to the development of my creativity.
And of course, to my second mom, J.S., who long, long ago, taught me the value of being able to tell a good story. Thank you to my hubby, Basil Tsiokos, for convincing me to see the undeniable value of my Americanization. You two are the best! Big thanks to the rest of my biological and adopted family for being such wonderful supporters of my work-Davie, Miguel, Sergio, Billy, Nicola, Rykie, Serena, Blair, Cory Richard, Phil, Roberta Marlene, and Wilma and Joe. emergency pep talks (long distance-charges reversed) I would still be writing sophomoric (semi-plagiarized from Norman Mailer) drivel in a welfare hotel room in some random Canadian city. Without their love, support, international money wire transfers, and 2 a.m. I have to first thank my mom and dad, Sharon and Robert Munroe. Index About the Author Credits Cover Copyright
What? There’s More? Filmmaker Resource Guide Production (Or What Happens If Your Location Is Adjacent to a Crack Addict) How to Avoid Kicking Your Producer in the Throat Why 43-Minute Shorts Never Really Work (Script Structure) HOW NOT TO MAKE A SHORT FILM SECRETS FROM A SUNDANCE PROGRAMMERįor all the filmmakers of the world- here’s to building our empires.
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